With Sock & Buskin Theatre Company
- Stefanie Austin’s Do Not Resuscitate
- F.J. Hartland’s “For the Record…” and TK Tansey’s “The Next Thing”
- Michael McKeever’s Suite Surrender
- Agatha Christie’s The Mousetrap
Stefanie Austin’s Do Not Resuscitate

In Nov. 2025, I directed the world premier of Stefanie Austin’s new murder mystery comedy Do Not Resuscitate. Set in a CPR class in a small town, the instructor Terry Morton gets everyone real upset–as Little Joey puts it–because he’s trying to hide a big secret. When one of the characters dies, it seems that everyone has some motive to have committed the crime, and Sheriff Edwards asks the audience to join the investigation by questioning the suspects.
Food for the dinner theatre was served by Allow Kitchen and drinks from Mad MacIntosh Cidery, both in Titan Hollow in Bellefonte, PA.


F.J. Hartland’s “For the Record…” and TK Tansey’s “The Next Thing”
For Sock & Buskin’s “Beginnings” short play showcase, I am directing two 10-15 minute plays: F.J. Hartland’s “For the Record…” and TK Tansey’s “The Next Thing.”

“For the Record…” tells the story of an estranged father and son who reconnect through their mutual love of their wife/mother.




“The Next Thing” explores big questions about the afterlife, death, existence, meaning, etc. as a recently deceased character moves through the afterlife’s waiting room.




Michael McKeever’s Suite Surrender

In the spring of 2024, I directed Michael McKeever’s Suite Surrender with Sock & Buskin. Our amazing cast put on three excellent shows, with live singing, choreographed fight scenes, and a lot of laughs.

I wrote dramaturg’s notes for Suite Surrender, available here:
Agatha Christie’s The Mousetrap

My directorial debut was with Sock & Buskin Theatre Company, a community theatre in central Pennsylvania. In Sept. 2023, we put on Agatha Christie’s The Mousetrap for three sold out shows. We had an extremely successful run, with amazing performances by the actors. Part of my process for drawing out these great performances was identifying and building on the actors’ strengths as performers. Whenever possible, I let the actors build the characters the way they saw fit—adding interesting little touches that I could praise and encourage them to keep for the show itself.

In this video, the cast and I introduce ourselves and talk about the show.
Additional Mousetrap Work
I also recorded the three Voice on the Radio parts, which were played during the show:
Voice on the Radio 1, Voice on the Radio 2, Voice on the Radio 3
And I wrote up dramaturg’s notes for the show, available here: