Jay Hopkins and John Hunter’s The Iliad, The Odyssey, And All of Greek Mythology in 99 Minutes or Less (IOGM from here on out) has to be an incredibly taxing play to perform, as each of the five actors plays a multitude of roles, each demanding its own character. The actor with the fewest number …
Tag: American Drama
Moon Over Buffalo, by Ken Ludwig—29 Apr. 2023
The Sock & Buskin Theatre Company’s production of Ken Ludwig’s comedy Moon Over Buffalo was an enjoyable performance marked by excellent comic timing. Under the direction of Stefanie Austin—a co-founder of Sock & Buskin—the full force of the farce came to the fore through Ludwig’s trademark wit and series of happy accidents. Moon Over Buffalo …
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Gross Indecency: The Three Trials of Oscar Wilde, by Moises Kaufman-2 May 2021
There are few subjects more fit for the stage than Oscar Wilde. He was a larger than life personality, who fundamentally changed the way many think about art, about society, and about sexuality. And of course he was best known in his lifetime as a playwright, so the stage is doubly appropriate. Moises Kaufman’s Gross …
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Angels in America, Part One: Millenium Approaches, by Tony Kushner, 3 Mar. 2020
Tony Kushner’s Angels in America is one of the most culturally significant pieces of gay theatre in history. Set during the AIDS crisis of the mid- to late-1980s, the play explores issues of gay identity, disease, economic/political privilege, race and ethnicity, and religion, all set within an apocalyptic and messianic framework. The Penn State theatre …
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Dial “M” for Murder, by Frederick Knott–6 Sept. 2019
*For full disclosure, I worked as the dramaturg for this production.* Frederick Knott’s Dial “M” for Murder is a noir mystery in the style of Agatha Christie, a murder plot which hinges on a tiny clue that leads to the unraveling of an almost perfect crime. It has had many lives—as a BBC television production, …
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Dead Man’s Cell Phone, by Sarah Ruhl–17 Aug. 2019
The set of Dead Man's Cell Phone. Sarah Ruhl is one of contemporary American theatre’s best and brightest, so I was very much looking forward to seeing Dead Man’s Cell Phone. Unfortunately, the MT Pockets production of the play was extremely disappointing. The play itself is good, but the performance was a letdown. Ruhl’s play …
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Office Hours, by Norm Foster–21 June 2019
The set of Office Hours at Nittany Theatre at the Barn. The Nittany Theatre at the Barn loves putting on Norm Foster shows, and there’s a very good reason for that. Foster’s plays are funny and intricately clever. Office Hours perfectly fits that bill, and the Nittany Theatre production, directed by Andrew Saxe, did a …
The Love List, by Norm Foster–9 Sept. 2018
The set of The Love List Norm Foster’s The Love List is a funny play about desire, perfection, and finding that special someone. Nittany Theatre at the Barn’s production, directed by Laura Ann Saxe, was an enjoyable show, though it sometimes lacked polish. The play opens with Bill—a single statistician in his 50s—and Leon—his unfaithfully …
Lend Me a Tenor, by Ken Ludwig–4 Aug. 2018
I had never been particularly interested in Ken Ludwig’s Lend Me a Tenor, because for whatever reason I always thought it was a musical, and I just wasn’t feeling it. But the Nittany Theatre at the Barn production, directed by Frank Wilson, has definitely changed my mind. The show is funny, it deals with so …
Rumors, by Neil Simon–2 June 2018
Despite Neil Simon’s popularity and reputation, this was actually the first time I had seen (or encountered) a Simon play, and I can definitely appreciate why people enjoy his works so much. Rumors is a hilarious show about a set of upper class New Yorkers trying to protect their friend from a scandal they themselves …
Phillip Zapkin 