Agatha Christie's Witness for the Prosecution Agatha Christie is, as many people know, one of the most popular and beloved British authors. Theatrically, her most famous piece is The Mousetrap (review forthcoming after I see it next week), but an ongoing production, begun in 2017, is her play Witness for the Prosecution, running at London …
Continue reading Agatha Christie’s Witness for the Prosecution—12 June 2024
Me with the Richard III poster at the Globe As part of a Literary London study abroad course on crime and justice in British literature, I assigned William Shakespeare’s Richard III. It was a marvelous bit of serendipity that Shakespeare’s Globe was putting on that very show while we visited London. Even before the Globe …
Continue reading William Shakespeare’s Richard III—8 June 2024
Sonnetfest ’21, directed by Kevin Wetmore, introduced Shakespeare’s sonnets as fourteen-line plays, and that promise was borne out. The performance consists of several sonnets read (not in numerical order) and acted out by Loyola Marymount University’s College of Communications and Fine Arts. I watched the final performance, which was streamed over YouTube-- https://www.youtube.com/watch?v=dsHyQUA0hK0 (this link …
Continue reading Sonnetfest ’21: 4th Annual Shakespeare on the Bluff Festival—23 July 2021
Shakespeare’s Julius Caesar is, perhaps surprisingly for people who don’t know the play, not really about Caesar, it’s about Brutus and his struggle with the decision to be drawn into the conspiracy to murder the increasingly imperial Caesar in the hopes of restoring a free Roman Republic. And then once the murder is committed, he …
Continue reading Julius Caesar, by William Shakespeare–2 Nov. 2019
*For full disclosure, I worked as dramaturg for this production* Robert Bolt’s A Man for All Seasons is a complex, philosophical play grounded in history, theology, philosophy, ethics, and existentialism. But it’s one of the best plays of the 20th century. Bolt’s play is dynamic and challenging, raising issues that are not only relevant for …
Continue reading A Man for All Seasons, by Robert Bolt–8 Aug. 2019
The Duchess of Malfi was originally a Jacobean play by John Webster—one of the best early modern plays, in my opinion. But what Zinnie Harris has done with her new version is amazing. She has kept the dark, violent, misogynistic themes of the original, but updated it to feel fresh, contemporary, and even (perhaps surprisingly) …
Continue reading The Duchess (of Malfi), by Zinnie Harris–28 May 2019
Mad Cow Theatre’s production of Top Girls was the first Caryl Churchill play I’ve seen other than Cloud Nine, which I’ve seen twice. While Churchill is an amazingly influential playwright, in the US, Cloud Nine is almost certainly her most performed play (not without good reason) so it was great to see another of her …
Shakespeare’s The Winter’s Tale is one of his oddest plays. It’s essentially divided between two halves, the one set in the court of Sicily and the other in the pastoral idyll of Bohemia. The first half is a psychological portrait of paranoia, violence, and oppressive patriarchy, and the second half blends rustic charm with redemptive …
Continue reading The Winter’s Tale, by William Shakespeare–27 Mar. 2019
Caryl Churchill’s Cloud 9 is one of my favorite plays. It’s deep and complex, but also problematic (for reasons which will be explained more below). The first half is set in roughly 1880 in British colonial Africa. The act centers on Clive and his family, including his young son Edward (played by a female actor), …
Few modern plays are more widely known, read, or performed than Oscar Wilde’s comedic masterpiece The Importance of Being Earnest. Premiering in 1895, I believe it was the most performed comedy of the 20th century. Given that repute, it is a daunting task to adapt the play, as Sterling Sax did for Nittany Theatre at …
Phillip Zapkin 