*For full disclosure, I worked as the dramaturg for this production.* Frederick Knott’s Dial “M” for Murder is a noir mystery in the style of Agatha Christie, a murder plot which hinges on a tiny clue that leads to the unraveling of an almost perfect crime. It has had many lives—as a BBC television production, …
Continue reading Dial “M” for Murder, by Frederick Knott–6 Sept. 2019
The set of Dead Man's Cell Phone. Sarah Ruhl is one of contemporary American theatre’s best and brightest, so I was very much looking forward to seeing Dead Man’s Cell Phone. Unfortunately, the MT Pockets production of the play was extremely disappointing. The play itself is good, but the performance was a letdown. Ruhl’s play …
Continue reading Dead Man’s Cell Phone, by Sarah Ruhl–17 Aug. 2019
*For full disclosure, I worked as dramaturg for this production* Robert Bolt’s A Man for All Seasons is a complex, philosophical play grounded in history, theology, philosophy, ethics, and existentialism. But it’s one of the best plays of the 20th century. Bolt’s play is dynamic and challenging, raising issues that are not only relevant for …
Continue reading A Man for All Seasons, by Robert Bolt–8 Aug. 2019
The set of Office Hours at Nittany Theatre at the Barn. The Nittany Theatre at the Barn loves putting on Norm Foster shows, and there’s a very good reason for that. Foster’s plays are funny and intricately clever. Office Hours perfectly fits that bill, and the Nittany Theatre production, directed by Andrew Saxe, did a …
The set of The Love List Norm Foster’s The Love List is a funny play about desire, perfection, and finding that special someone. Nittany Theatre at the Barn’s production, directed by Laura Ann Saxe, was an enjoyable show, though it sometimes lacked polish. The play opens with Bill—a single statistician in his 50s—and Leon—his unfaithfully …
I had never been particularly interested in Ken Ludwig’s Lend Me a Tenor, because for whatever reason I always thought it was a musical, and I just wasn’t feeling it. But the Nittany Theatre at the Barn production, directed by Frank Wilson, has definitely changed my mind. The show is funny, it deals with so …
Few modern plays are more widely known, read, or performed than Oscar Wilde’s comedic masterpiece The Importance of Being Earnest. Premiering in 1895, I believe it was the most performed comedy of the 20th century. Given that repute, it is a daunting task to adapt the play, as Sterling Sax did for Nittany Theatre at …
Despite Neil Simon’s popularity and reputation, this was actually the first time I had seen (or encountered) a Simon play, and I can definitely appreciate why people enjoy his works so much. Rumors is a hilarious show about a set of upper class New Yorkers trying to protect their friend from a scandal they themselves …
Following a group of women headquartered in a beauty salon in Louisiana, Robert Harling’s Steel Magnolias has much in common with the stereotypical Lifetime movie. But that being said, it’s really quite excellent, and MT Pockets put on an outstanding production, directed by Seret Cole, with amazing performances by all of the cast members. The …
Continue reading Steel Magnolias, by Robert Harling–28 May 2017
A well-written comedy well performed makes for a delightful evening. And MT Pockets’ production of David Lindsay-Abaire’s Kimberly Akimbo was a delightful evening. Under Christian Cox’s direction, the cast put on a very strong performance, working cohesively together to create a fantastic production of a very funny play. I’ve seen one of Lindsay-Abaire’s other plays—Rabbit …
Continue reading Kimberly Akimbo, by David Lindsay-Abaire–7 May 2017
Phillip Zapkin 