As someone who studies adaptation, I was excited to see a production of Aaron Posner’s Stupid Fucking Bird, which reworks Chekhov’s The Seagull. Posner’s play regularly draws attention to itself as an adaptation, specifically in the Russian dramatic tradition, and attempts to metatheatrically engage spectators in issues of narrative construction, expectations, and generic norms. In …
Continue reading Stupid Fucking Bird, by Aaron Posner–5 Dec. 2015