Rhinoceros program Apart from Shakespeare, one of the first genres of drama I really fell in love with was theatre of the absurd, and so when Penn State’s school of theatre announced that it was opening the 2025-26 season with Eugene Ionesco’s Rhinoceros, I was thrilled to see what they’d do with it. Under the …
Tag: Existential Drama
A Man for All Seasons, by Robert Bolt–8 Aug. 2019
*For full disclosure, I worked as dramaturg for this production* Robert Bolt’s A Man for All Seasons is a complex, philosophical play grounded in history, theology, philosophy, ethics, and existentialism. But it’s one of the best plays of the 20th century. Bolt’s play is dynamic and challenging, raising issues that are not only relevant for …
Continue reading A Man for All Seasons, by Robert Bolt–8 Aug. 2019
Mother Courage and Her Children, by Bertolt Brecht–28 Apr. 2019
Bertolt Brecht’s masterpiece Mother Courage and Her Children is one of the great examples of Brecht’s epic theatre style, and the Juniata College production (directed by Chris Staley) put Brechtian alienation techniques at center stage. In its rather rough self-consciousness, the performance would almost certainly make Brecht proud. The play tells the story of a …
Continue reading Mother Courage and Her Children, by Bertolt Brecht–28 Apr. 2019
Top Girls, by Caryl Churchill–5 Apr. 2019
Mad Cow Theatre’s production of Top Girls was the first Caryl Churchill play I’ve seen other than Cloud Nine, which I’ve seen twice. While Churchill is an amazingly influential playwright, in the US, Cloud Nine is almost certainly her most performed play (not without good reason) so it was great to see another of her …
Cloud 9, by Caryl Churchill–3 Dec. 2018
Caryl Churchill’s Cloud 9 is one of my favorite plays. It’s deep and complex, but also problematic (for reasons which will be explained more below). The first half is set in roughly 1880 in British colonial Africa. The act centers on Clive and his family, including his young son Edward (played by a female actor), …
Race, by David Mamet–30 Sept. 2016
David Mamet’s Race seems to be a play carefully crafted to make every audience member uncomfortable—whites, African Americans, Hispanics, men, women. No one is spared in Mamet’s play. The play centers on the law firm of Jack and Henry, who end up (not entirely by choice) defending the wealthy, white Charles after he is accused …
Fat Pig, by Neil Labute–27 June 2016
I’ve seen two productions of Neil Labute’s The Shape of Things, but this was the first time I had seen Fat Pig (or any other Labute play) produced. Labute seems to be a playwright of odd, dysfunctional relationships and the difficulty of finding genuine connections with people in a society that values people for their …
No Exit, by Jean-Paul Sartre–31 Jan. 2016
The MAC production of Jean-Paul Sartre’s No Exit—directed by Nicki Davis—was the third production of Sartre’s masterpiece I’ve seen. While there were a few hiccups, it was overall a strong production with very good performances. No Exit is perhaps the most iconic existential play. Set in hell, the play tells the story of three people …
Phillip Zapkin 