A Man for All Seasons, by Robert Bolt–8 Aug. 2019

*For full disclosure, I worked as dramaturg for this production* Robert Bolt’s A Man for All Seasons is a complex, philosophical play grounded in history, theology, philosophy, ethics, and existentialism. But it’s one of the best plays of the 20th century. Bolt’s play is dynamic and challenging, raising issues that are not only relevant for …

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The Duchess (of Malfi), by Zinnie Harris–28 May 2019

The Duchess of Malfi was originally a Jacobean play by John Webster—one of the best early modern plays, in my opinion. But what Zinnie Harris has done with her new version is amazing. She has kept the dark, violent, misogynistic themes of the original, but updated it to feel fresh, contemporary, and even (perhaps surprisingly) …

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The Trojan Women, by Euripides (adapted by Gwendolyn MacEwen)–6 Dec. 2016

Euripides’ The Trojan Women is widely regarded as one of the greatest anti-war plays of all time, and it seems unfortunately timely today. With wars raging in the Middle East, and with the largest refugee crisis since WWII is Syria, Euripides’ lamentation reaches across the millennia to admonish us to this day. This transhistorical element …

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The Merchant of Venice, by William Shakespeare–9 Oct. 2016

This is the fourth, maybe fifth show I’ve seen the Rustic Mechanicals perform, and this is the first one I would say was really good. My major critique of the Mechanicals has been the tendency to painfully overact, but with this cast and for this show, they (largely) resisted that tendency. For the first time …

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