Sweeney Todd: The Demon Barber of Fleet Street—20 Nov. 2024

Sweeney Todd Playbill On the one hand, I’m not a big fan of musicals as a genre, but on the other, I very much like the story of Sweeney Todd. Penn State Theatre’s production of Sweeney Todd: The Demon Barber of Fleet Street, directed by Zack Steele, was generally a strong performance, though the night …

Continue reading Sweeney Todd: The Demon Barber of Fleet Street—20 Nov. 2024

Kimberly Belflower’s John Proctor is the Villain—16 and 19 Oct. 2024

The playbill for John Proctor is the Villain Going into Penn State Theatre’s production of John Proctor is the Villain the first time, I was concerned that a play born out of the #MeToo movement might become didactic—basically an essay on stage. But I was pleasantly surprised by the complexity and passion with which Kimberly …

Continue reading Kimberly Belflower’s John Proctor is the Villain—16 and 19 Oct. 2024

Tartuffe, by Moliere—28 Mar. 2024

Penn State Theatre's Tartuffe Penn State Theatre’s production of Moliere’s Tartuffe, directed by Sam Osheroff, was an exceptional modern re-imagining of a play that has some antiquated feeling elements but overall remains exceedingly relevant to the world of 2024. On the one hand, Tartuffe’s rhymed lines and aristocratic subject matter feel very old. On the …

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Bonnets: How Ladies of Good Breeding are Induced to Murder, by Jen Silverman—1 Dec. 2023

The cover of the program for Bonnets Jen Silverman’s Bonnets: How Ladies of Good Breeding are Induced to Murder was written as part of a Big Ten initiative to produce more plays by women and with strong roles for college age female actors. This is a really good initiative, not only for getting the work …

Continue reading Bonnets: How Ladies of Good Breeding are Induced to Murder, by Jen Silverman—1 Dec. 2023

Sonnetfest ’21: 4th Annual Shakespeare on the Bluff Festival—23 July 2021

Sonnetfest ’21, directed by Kevin Wetmore, introduced Shakespeare’s sonnets as fourteen-line plays, and that promise was borne out. The performance consists of several sonnets read (not in numerical order) and acted out by Loyola Marymount University’s College of Communications and Fine Arts. I watched the final performance, which was streamed over YouTube-- https://www.youtube.com/watch?v=dsHyQUA0hK0 (this link …

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Gross Indecency: The Three Trials of Oscar Wilde, by Moises Kaufman-2 May 2021

There are few subjects more fit for the stage than Oscar Wilde. He was a larger than life personality, who fundamentally changed the way many think about art, about society, and about sexuality. And of course he was best known in his lifetime as a playwright, so the stage is doubly appropriate. Moises Kaufman’s Gross …

Continue reading Gross Indecency: The Three Trials of Oscar Wilde, by Moises Kaufman-2 May 2021

Angels in America, Part One: Millenium Approaches, by Tony Kushner, 3 Mar. 2020

Tony Kushner’s Angels in America is one of the most culturally significant pieces of gay theatre in history. Set during the AIDS crisis of the mid- to late-1980s, the play explores issues of gay identity, disease, economic/political privilege, race and ethnicity, and religion, all set within an apocalyptic and messianic framework. The Penn State theatre …

Continue reading Angels in America, Part One: Millenium Approaches, by Tony Kushner, 3 Mar. 2020

Julius Caesar, by William Shakespeare–2 Nov. 2019

Shakespeare’s Julius Caesar is, perhaps surprisingly for people who don’t know the play, not really about Caesar, it’s about Brutus and his struggle with the decision to be drawn into the conspiracy to murder the increasingly imperial Caesar in the hopes of restoring a free Roman Republic. And then once the murder is committed, he …

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Mother Courage and Her Children, by Bertolt Brecht–28 Apr. 2019

Bertolt Brecht’s masterpiece Mother Courage and Her Children is one of the great examples of Brecht’s epic theatre style, and the Juniata College production (directed by Chris Staley) put Brechtian alienation techniques at center stage. In its rather rough self-consciousness, the performance would almost certainly make Brecht proud. The play tells the story of a …

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