have really enjoyed all of the Sarah Ruhl plays I’ve seen, read, and taught, but this was my first encounter with her play The Clean House. I wasn’t much sold on the first act, but after the interval the show really picked up and I saw the kind of dramaturgical skill that has always impressed …
A Steady Rain, by Keith Huff–23 Aug. 2015
The play, 'A Steady Rain', directed by David Beach, received high praise for its remarkable performances, specifically from Sean Marko (Denny) and Travis Teffner (Joey), who mesmerizingly portrayed two Chicago police officers. Marko and Teffner brilliantly navigated complex narratives, transitioning between modes whilst their characters battled internal struggles. The minimalistic setting and effective lighting accentuated the actors' performances, solidifying the production's success.
The Agony and the Ecstacy of Steve Jobs, by Mike Daisy–7 June 2015
The Agony and the Ecstasy of Steve Jobs is a theatre play that goes beyond glorifying Steve Jobs and delves into the impact of technology on our daily lives and its human consequence in manufacturing industries, reflecting on poor working conditions at Chinese factories. The nine-actor rendition at the MT Pockets Theatre portrayed these themes effectively using monologues. Standout performances from Travis Teffner and Shenendoah Thompson highlighted the intensity of the subject matter.
Much Ado About Nothing, by William Shakespeare–23 Aug. 2015
The Rustic Mechanicals' production of Shakespeare's "Much Ado About Nothing" was average overall, lacking standout excitement. The setting, post-WWI wine country, suited the park venue. Noteworthy performances were Doug Seckman's Borachio and Steve McElroy's Claudio, both embodying their roles convincingly. Aaron Harris' portrayal of Dogberry, initially jarring, grew more appealing with time.
Phillip Zapkin 